SciELO - Scientific Electronic Library Online

 
vol.16 número3Entre ríos, esteros y pozos. Agua, instalación y movilidad indígena en el Chaco y la llanura santiagueña: perspectivas etnográficas, históricas y arqueológicasComunicación del taller: ciencias genómicas y saberes de los pueblos originarios (Provincia del Chubut, Argentina) índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

  • No hay articulos citadosCitado por SciELO

Links relacionados

  • No hay articulos similaresSimilares en SciELO

Compartir


Revista del Museo de Antropología

versión impresa ISSN 1852-060Xversión On-line ISSN 1852-4826

Resumen

BASILE, Mara et al. Probando recetas de pigmentos cerámicos: diseño experimental y primeros resultados para los rojos de la región de Fiambalá (Tinogasta, Catamarca). Rev. Mus. Antropol. [online]. 2023, vol.16, n.3, pp.65-78.  Epub 28-Dic-2023. ISSN 1852-060X.  http://dx.doi.org/10.31048/1852.4826.v16.n2.42516.

Archaeometric results (Raman spectroscopy and X-ray diffraction) achieved by an interdisciplinary group of archaeologists, physicists and chemists show that the same base compound (hematite: α-Fe 2 O 3 ) was employed to obtain red paints with a wide palette of tonalities, as the ones observed in slips and designs from recovered pottery pieces in Fiambalá and Chaschuil regions, dating from the 1st to the 16th centuries AD. These results raised questions, which prompted an experiment to evaluate the influence of the firing temperature on both chemical composition of paints and resulting hue. A two stages experiment, differing in the firing method (muffle furnace and direct-draft clay oven), was conducted under controlled conditions of observation, recording, and analysis. Building upon the preliminary results, some variations were conducted to assess the impact of firing time at each temperature and the inclusion of organic binders in the recipes. Results point out hematite as the cause of red tones in all cases. No significant chemical changes were detected in the pigments, whether fired at 750 or 900 °C, or in those maintained at these temperatures for periods ranging from 0 to 20 minutes. Additionally, the binders had no impact on the composition or the resulting tonalities.

Palabras clave : Archaeometry; Experimental design; Ceramic pigments; Red hues; Fiambalá (Catamarca).

        · resumen en Español     · texto en Español     · Español ( pdf )