SciELO - Scientific Electronic Library Online

 
 número47¿Escribir contra cultura? Reflexiones sobre el trabajo etnográfico en Lila Abu-Lughod y Clifford GeertzEvidencias de las técnicas de modelado en materiales cerámicos prehispánicos tardíos y coloniales de la puna jujeña (Argentina) índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

  • No hay articulos citadosCitado por SciELO

Links relacionados

  • No hay articulos similaresSimilares en SciELO

Compartir


Cuadernos de la Facultad de Humanidades y Ciencias Sociales. Universidad Nacional de Jujuy

versión On-line ISSN 1668-8104

Resumen

BENZA SOLARI, Silvia Elisa; MENNELLI, Yanina  y  PODHAJCER, Adil. Searching for the "authentic nationalism". Institutionalisation of folk dances repertories from Argentina, Bolivia and Peru by the middle of XX Century. Cuad. Fac. Humanid. Cienc. Soc., Univ. Nac. Jujuy [online]. 2015, n.47, pp.135-155. ISSN 1668-8104.

This paper discusses in a comparable manner the constitution of the hegemonic folk repertories of Peruvian, Bolivian and Argentinean dances and their institutionalization in the '40 and '50, intending to reflect on the diverse aesthetic significations and valuations attributed to the expressive elements that were constructed in them as "Indigenous", "Andean", "Afro" and "Creole". Through the researches based on historic sources and our own ethnographic materials, this work describes the conformation of these repertories, accounting for the main actors involved -governments, cultural promoters, artists, researchers, diffusers- that resulted in the creation of cultural patrimonies and modes of nationalism. During this period, the institution and folk programs of research encouraged the preservation and compilation of what they considered "survivals" (music, dance and oral literature), under a social and cultural conflict characterized of intense internal migrations that increase ambivalent feelings about the popular sectors. Finally, we consider that in the three cases analyzed, ideological apparatus were developed which supported an hegemonic vision of the historic processes and the "authenticity" of certain expressive elements and his repertories, that involved the legitimation of unilineal projects about the culture and the current citizens identities' representations

Palabras clave : Argentina; Bolivia; Dances; Folk; Repertories; Institutionalization; Perú.

        · resumen en Español     · texto en Español

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons