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vol.3 issue3Max Aub y Ana María Merkel: Ficción y realidad de una artista desconocidaSerán ceniza, mas tendrá sentido: los manuscritos de campo de sangre author indexsubject indexarticles search
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Olivar

On-line version ISSN 1852-4478

Abstract

LLUCH PRATS, Javier. Un manuscrito del taller de Max Aub. Olivar [online]. 2002, vol.3, n.3, pp.117-144. ISSN 1852-4478.

Max Aub's legacy has recently helped to find some of the author's autograph testimonies than enlighten his printed work. The manuscript of the historical novel Campo del Moro (1963) is here described and the contributions of a modern manuscript to a critical-genetic edition are also appreciated. The composition elements of Campo del Moro are particularly analyzed the title, the quotations, the working plan and the notes about the characters. All this results in a better knowledge of the novel, gíving us the possibility of describing the process of its writing so as to facilitate the narration of its editorial vicissitiudes. i.e. genesis, preparation, edition and, publication.

Keywords : Max Aub; Campo del Moro; Manuscrito moderno; Critica genética.

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