Resumen

HANNA, Andrea. El rol del productor en el teatro independiente: La producción es ejecutiva y algo más... Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2014, n.50, pp.75-80. ISSN 1853-3523.

The role of independent theater producer has been imposed with the passing of the years. Today is inconceivable a theater project without an executive producer. The article explores the specific tasks performed by an executive producer and if these tasks have varied in relation to the years (Production was the same in 2000 than in 2011?) How executive producer is defined and what is the output? Does exist an academic training to take the role of producer? What is most important or most common, that a producer has academic training or that he has been formed from practice, or both? There is no doubt that theater itself is an art, that staging requires artists to run a play but, which is the place of art within the executive production? Is it considered art? Why? Production is a fashion activity, an many people use the word "production" very often. So it seems interesting to take some time to reflect on the term and its scope. From training and 12 years experience practicing the profession, I will try to answer these questions approaching some thoughts that may be of interest.

Palabras clave : Artistic sensitivity; Creativity; Executive complement; Independent theater; Link; Management and administration; Praxis; Producer role.

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