Resumen

CELENTANO, Rosalía. Ámbito público, ámbito privado, ámbito independiente, fronteras desplazadas en el teatro de la Ciudad de Buenos Aires. Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2014, n.50, pp.103-117. ISSN 1853-3523.

The public sector, the private sector and the independent sector seemed rigid and insoluble worlds. From a certain point, the boundaries between them were broken and began to mix. In public theater, TV faces shows-up and some shows designed in this area migrate to the independent billboard and even to the commercial one. The independent theater began to atomize. Commercial theater convenes independent and public theater directors to direct in its field. Due to these changes we can say that the field began networking. The boundaries have shifted according to the needs and opportunities of each production. The areas differ only because of funding and its objectives.

Palabras clave : Area atomization; Environment migration; Funding; Independent field; Network; Private sector; Public sector.

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