Abstract

FRERE AFFANNI, Tomás. La música y la imagen: Anotaciones a partir de El Artista. Cuad. Cent. Estud. Diseñ. Comun., Ensayos [online]. 2015, n.54, pp.103-115. ISSN 1853-3523.

From the analysis of the film The Artist (best film Oscar winner in 2012) and the relationship established in it between images and music, I intend to move forward on some of the ways in which film took responsible for the problem of music and its relation to the image: what is the relationship between the visual image and the sound output simultaneously? What relationship gathers music, sounds and dialogues with the images projected on the screen? From some conceptualizations of theorists such as Friedrich Nietzsche and Theodor Adorno, the article also will address the above questions trying to overcome the cinematic paradigm in which they arise, to arrive at the terms of a problem that has existed for over two thousand years: the question about music meaning (if it has any significance), and if that art can, and how , establish relations with an image, not only in visual sense. I then propose, using the The Artist example, the approach of that question about the music and its relationship to the outside.

Keywords : Adorno; Image and sound; Music; Nietzsche; The Artist.

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