The apocaliptic and post-apocaliptic city, from Las malas intenciones to Maruja en el infierno
Salinas, Pablo
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Fifty years after The open veins of Latin America. An analysis of Eduardo Galeano's literary style and writing strategy
Montali, Gabriel
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Schlemiel, Ruth, Esther and Ashavero: Samuel Glusberg's Symbolic Reelaborations around Wandering, Interculturality and the New Belonging
Di Miro, Melina
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A reflection on the technological paradigm and its relationship with modes of narrative production: franchises and the Final Fantasy VII case
Romero, Gabriel
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Voices, and identities in Pedro Páramo
Candón Ríos, Fernando; Del Pino, Adrián Martín
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 Dossier |
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| | · Introduction to The Performative Turn: Perspectives on Contemporary Latin American Theatre
Abuín González, Anxo; Gatica Cote, Paulo A.
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| | · Performativity: propositions for conceptual stabilization from contemporary Latin American theory
Albornoz, Francisco
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| | · Theater and performance in the city of Mendoza. Overlaps, differences and subversions
Sarale, Marina
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| | · Performativity and Archive, based on Beatriz Catani’s Project Atlas (of) lost works
Cornago Bernal, Óscar
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| | · Of masks and mimetic machines: the performance of self-representation in Lázaro, by Lagartijas Tiradas al Sol
Prieto Stambaugh, Antonio; Castro Cruz, Laura Estefanía
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| | · Stroke, distortion, aberraction (Francis Alÿs)
Barrios Lara, José Luis
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| | · The transmodernity of Los Maromeros by Verónica Musalem: a performative critique of modernity / coloniality
Bisiaux, Lîlâ
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| | · Feminisms and performance in Latin America. El tendedero and Un violador en tu camino
Alcázar, Josefina
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| | · Getting out of the "crisis" of meaning and being: contributions and limits of the performative turn for feminism in Colombia
Serban, Gabriella
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| | · For a plebeian practice (of performance?): María Galindo and Mujeres Creando
Sánchez Acevedo, Ana
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| | · Symbolic representations of chilean dramaturgy during the dictatorship: the privatization process of the state’s railway in El Último Tren (1978) by Compañía Teatro Imagen
Pacheco Valdebenito, Fiorella
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| | · Political strategies in the performance of memories of the resistance
Amaya, Juan Pablo; Tesche Roa, Paula
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| | · (Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina
Sandoval-León, Osvaldo
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| | · The performative turn in the theatrical representations of the Malvinas War (1982): Museo Miguel Angel Boezzio (1998), de Federico León
Dubatti, Ricardo
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| | · The importance of the body in performances and emerging forms of theatricality in the Buenos Aires counterculture of the 1980s
Singer, Mariela
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| Reseñas |
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| | · Antelo, R. (2020). Tempos-valise. Casa de Edição
Antequera, María Florencia
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All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License
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