The apocaliptic and post-apocaliptic city, from Las malas intenciones to Maruja en el infierno Salinas, Pablo
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Fifty years after The open veins of Latin America. An analysis of Eduardo Galeano's literary style and writing strategy Montali, Gabriel
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Schlemiel, Ruth, Esther and Ashavero: Samuel Glusberg's Symbolic Reelaborations around Wandering, Interculturality and the New Belonging Di Miro, Melina
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A reflection on the technological paradigm and its relationship with modes of narrative production: franchises and the Final Fantasy VII case Romero, Gabriel
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Voices, and identities in Pedro Páramo Candón Ríos, Fernando; Del Pino, Adrián Martín
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Dossier |
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| · Introduction to The Performative Turn: Perspectives on Contemporary Latin American Theatre Abuín González, Anxo; Gatica Cote, Paulo A.
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| · Performativity: propositions for conceptual stabilization from contemporary Latin American theory Albornoz, Francisco
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| · Theater and performance in the city of Mendoza. Overlaps, differences and subversions Sarale, Marina
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| · Performativity and Archive, based on Beatriz Catani’s Project Atlas (of) lost works Cornago Bernal, Óscar
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| · Of masks and mimetic machines: the performance of self-representation in Lázaro, by Lagartijas Tiradas al Sol Prieto Stambaugh, Antonio; Castro Cruz, Laura Estefanía
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| · Stroke, distortion, aberraction (Francis Alÿs) Barrios Lara, José Luis
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| · The transmodernity of Los Maromeros by Verónica Musalem: a performative critique of modernity / coloniality Bisiaux, Lîlâ
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| · Feminisms and performance in Latin America. El tendedero and Un violador en tu camino Alcázar, Josefina
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| · Getting out of the "crisis" of meaning and being: contributions and limits of the performative turn for feminism in Colombia Serban, Gabriella
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| · For a plebeian practice (of performance?): María Galindo and Mujeres Creando Sánchez Acevedo, Ana
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| · Symbolic representations of chilean dramaturgy during the dictatorship: the privatization process of the state’s railway in El Último Tren (1978) by Compañía Teatro Imagen Pacheco Valdebenito, Fiorella
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| · Political strategies in the performance of memories of the resistance Amaya, Juan Pablo; Tesche Roa, Paula
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| · (Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina Sandoval-León, Osvaldo
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| · The performative turn in the theatrical representations of the Malvinas War (1982): Museo Miguel Angel Boezzio (1998), de Federico León Dubatti, Ricardo
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| · The importance of the body in performances and emerging forms of theatricality in the Buenos Aires counterculture of the 1980s Singer, Mariela
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Reseñas |
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| · Antelo, R. (2020). Tempos-valise. Casa de Edição Antequera, María Florencia
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